Screening: O Pão (2023) commissioned by Filmaporto, Batalha Centro de Cinema, Porto, PT. (2023). (Upcoming)

O Pão, 2023
Starting from the interest in the film with the same title "O Pão" by Manoel de Oliveira, from 1959, "O Pão" explores questions about work, technology and land in the bread production sector in the bakeries of the city of Porto.

With Adriano Sequeira and Benedita Saavedra, Armando Miranda, Hugo Dunkel, Regina Guimarães, Leonardo and other bakers

Direction: Lúcia Prancha
Production assistant: Susana Mesquita 
Research assistant: Filipa Cordeiro
Camera: Tânia Teixeira, Lúcia Prancha
Sound: Alexandra Guimarães
Audio design and mixing: Rui Caldas
Graphic design: Pedro Nora
Voice: NuNo (Nuno Marques Pinto)

Thank you: Ana Baliza, Ana Fonseca, Adrià Julià, Adriano Sequeira and Benedita Saavedra, Armando Miranda, Carlos Amaral, Carlos Azevedo, Cinemateca Portuguesa, Depa Arquitectos, ESAD – Escola Superior de Artes and Design, Filmaporto, Filipa Loureiro, Germen - Moagem de Cereais S.A., José Baliza, José Luís, Moagem Céres, Padaria Masseira e Pão da Terra, Ricardo Lisboa, Rufino País Lopes

Filmed in Porto, Portugal

Financed by Pascaud grant, filmaporto


Solo Show: Bread Story, Table, Chicago, USA. (September 24th – November, 2021). Opening: Friday, September 24th.

Bread Story exhibition view at table, Chicago.

September 24th – November 22nd, 2021

In this exhibition, Lúcia Prancha continues her exploration of production and labor by exercising the tension between text and image as well as printed and video media. The exhibition’s original artist book, series of printed photographs, and video, were completed in 2021 as a culmination of a project the artist began in 2019 with the Los Angeles Contemporary Archive (LACA). Central to this rendition of Bread Story are a series of photographs of Roxana’s hands, which for Prancha act as a kind of portraiture. These images of hands line the walls of the space and are intimately repeated through the artist book, in this case taking form as a transparent box housing the photographs as hand-held objects, and a printed booklet of the video’s narration. The video piece brings together archival material, analog and digital photographs, and moving image. These elements are situated within a contemporary narration of Brecht’s text, which has been recorded and filmed inside a sound booth, calling attention to the system of its own production.

Bread Story, 2019-2021

Stills. Experimental video. 30’’, HDV, sound, b&w and color, 16:9.

Bread Story consists of a video, artist book, and a series of photographs. Prancha used Bertolt Brecht’s (1898–1956) original screenplay as a structure for an experimental film featuring LA based bread-worker Roxana Jullapat, while tracing an American landscape marked by the displacement and industrialization of the past century.

Roxana Jullapat was born in California but grew up in Costa Rica. She returned to the United States and learned to bake bread in Los Angeles and worked for other bakers before opening her bakery, Friends and Family, in 2017. Though born in the US, her experience growing up in Costa Rica influences her sense of production. She wakes up every morning at 3am to start baking bread and recently published a cookbook titled Mother Grains: Recipes for the Grain Revolution.

Bertolt Brecht arrived in California as an exile in December 1941 where he wrote the script for “The Bread-King Learns to Bake Bread.” This film was never produced due to the screenplay and its writer’s communist affiliations, which were actively being suppressed by the Hollywood blacklist. Brecht’s text implies questions of time, production, consumption, and mechanical and manual labor. Prancha found the Brecht text while living in Los Angeles and views it as a critique of the so-called American Consumer Society, in this case, from an immigrant’s perspective.

Exhibition view ar LACA - Los Angeles Contemporary Archive, 2019

Artist book: “Bread Story”, several elements. Dimensions variable.

The new video and artist book is based on the script “ the Bread-King Learns to Bake Bread” by Bertolt Brecht (1898–1956). Prancha found this text while living in Los Angeles as a critique of the so-called American Consumer Society, in this case, from the immigrant point of view. 

Bertolt Brecht arrived in California as an exile in December 1941, he wrote the script, but it was never used. Brecht’s text implies questions of time, production, consumption, mechanical and manual labor. These materials and artist books serve as starting point to continue her exploration on the moving image, sound and text..

The artist book functions as unconventional scripts for the upcoming film exploring text and image in tension with different materials as plastic, bread, flour or yeast. 

At LACA-Los Angeles Contemporary Archive, Lúcia Prancha will share her series of printed materials and sound recordings based on the script “The Bread-King Learns to Bake Bread” by Brecht. 

Built with

Lúcia Prancha ©